At this year’s GDC, Stefan Engblom of Supercell talked about the team’s approach to card balancing in Clash Royale. While he pointed out a few areas where collecting data can be useful, he also emphasized that it’s clearly not everything. Instead, he underlined the importance of flexibility and quick iteration when trying to find the fun. But most of all, he recommends every creator to play their own game over and over again during development and after, to gain a deep understanding of and feel for the gameplay.

Watch the full talk in the GDC Vault: http://www.gdcvault.com/play/1024272/Quest-for-the-Healthy-Metagame

SwiftSpear recently wrote an article stating:

I claim that a designer who puts effort into making sure their game is a better Skinner box is, almost objectively, just making a better game.

In the article, he goes on to make the distinction between “operant conditioning” with ANY reward and operant conditioning with inherently valueless rewards, coming to the conclusion that it is the nature of the rewards and not the conditioning itself that is important. You can read the article here: https://bennycr.wordpress.com/2017/03/22/evil-evil-skinner-boxes/

Keith Burgun subsequently wrote a response defending the usage of the term “Skinner Box” as an indicator of manipulative reward systems. You can read it here: http://keithburgun.net/why-skinner-box-is-a-useful-distinction/

Despite all our rage, we still respond favorably to operant conditioning.
Despite all our rage, we still respond favorably to operant conditioning.

A new piece by Vivafringe talks about a common pitfall in some kinds of strategy games, using Fire Emblem as an example.

Fire Emblem mostly has a good, clean interface, but scanning for abilities is an annoying exception. A given character can have different abilities, and these can only be noticed by proofreading the tiny ABC circles in the upper right corner. If you don’t immediately recognize an icon, you need to longpress it to see what it does.

Try to avoid having long-distance interaction unless it adds a lot to your game. Make pieces more like Go, where stones can only affect adjacent spaces, than Chess, where a Bishop can threaten a square from across the board. If you do want a Bishop-like character, try to have the squares it threatens show up as dangerous in the UI, rather than forcing the player to trace all of its paths himself.

 

Check out the article here: https://vivafringe.wordpress.com/2017/03/22/avoid-proofreading-in-your-strategy-games/

Thomas Grip of Frictional Games, the creators of Amnesia and Soma, tries to get to the mechanical bottom of “Walking Simulators”. Comparing their core mechanism to other kinds of games centered around moving an avatar around, he concludes that it is probably not the walking itself that keeps players engaged. Instead those titles seem to require a certain “meditative state”. He is not content with assuming players will be wanting to reach that state of mind though. Instead he hints at new possibilities to densely pack the environment with important information, which Frictional seems to be aiming to explore in future games.

Walking forward is just a matter of pressing down a key or stick. And unless you are my dad playing a game, this doesn’t pose any sort of challenge at all. Your brain is basically unoccupied and the chance of your mind starting to drift is very high. Instead of being immersed in the game’s world you might start thinking of what to cook for dinner or something else that is totally unrelated to the experience the game wants you to have.

The article on the Frictional Games blog: https://frictionalgames.blogspot.de/2017/03/traversal-and-problem-with-walking.html

Recently some single-player strategy games, such as Auro: A Monster-Bumping Adventure or Minos Strategos, started using ranking systems of dynamic difficulty, specifically to combat some of the long-standing problems of the highscore model. In his new article, Ethan Hoeppner argues that this approach, while being a step in the right direction, comes with its own problems and can be improved upon further. He suggests  presenting players with optional challenges, and discusses a difficulty format based on a single “par” number in depth.

Check out the full article: https://ethanhoeppner.github.io/gamedesign/the-problems-with-difficulty-modification.html

Redless has a new blog post about gameplay mechanics and how they relate to goals, and what it means when you allow players to play toward a different inexplicit goal in a competitive game.

I suspect that many of my teammates and opponents are playing the game with a different goal that informs their decisions in the game. Specifically, I think they aim to make a lot of kills on opposing players, ideally amassing an overwhelming advantage and proving their dominance over said other players. Let me be clear; I think this is a fine (if unsustainable) thing to get enjoyment out of, but it’s problematic to me when players trying to enjoy self-improvement are playing the same game as players who are trying to enjoy dominating their opponents.

Read the full article here: https://redless.github.io/Mechanics-Should-Match-Goals/

Turn Complexity In the Board Game "Concordia"
Turn Complexity In the Board Game “Concordia”

Games Precipice is a blog primarily focused on board game design, but many (or all) of the same principles can be applied to digital games. This article is about manipulating interest, excitement and/or complexity levels throughout a match in order to create a sense of structure and satisfaction (which the article refers to as “pacing”).

Check out the full article here:

http://www.gamesprecipice.com/pacing/

Lowey’s latest game: Minos Strategos

We previously highlighted Brett Lowey’s Game Design Commandments that he defined for his company BrainGoodGames. Now Keith Burgun, host of the Clockwork Game Design Podcast, sat together with Lowey to talk about his career in game development and discuss those guidelines in detail. This resulted in a profound conversation not to be missed by any strategy game designer out there.

The episode is available here: http://keithburgun.net/brett-loweys-game-design-commandments/

What’s the relation between solvability, depth and boredom?

Keith Burgun’s new piece contrasts the meaning of solvability in the computational sense with how it can be defined to be useful for game designers. On top of that it makes a few unusual points about how “too much depth” and in turn “too little sovability” can actually lead to the opposite of keeping the game interesting for its players in the long run.

Check it out here: http://keithburgun.net/solvability-vs-depth/